Comment! Encore une caricature sur nous, ce matin, dans le Charivari!
Comment! Encore une caricature sur nous, ce matin, dans le Charivari!
Manifestation Des Femmes

Manifestation des femmes

Le Club Des Femmes

Le Club de Femmes

Camille , je vais au Club

Camille, je vais au Club

The chaotic 'Manifestation Des Femmes', represents a critique of the women's emancipation movements of the era, depicting their demonstrations as the workings of hysterical women.

Organised movements of women in France were mooted amongst St-Simonians in the 1830s, but the flourishing of such movements, and their independence from masculine guidance was more a feature of 1848 then at any time previously.

The chaotic 'Manifestation Des Femmes', represents a critique of the women's emancipation movements of the era, depicting their demonstrations as the workings of hysterical women.

Organised movements of women in France were mooted amongst St-Simonians in the 1830s, but the flourishing of such movements, and their independence from masculine guidance was more a feature of 1848 then at any time previously.

In breaching the norms of patriarchal structures of the nineteenth century, a common trope used against female intellectuals was the de-feminised women. Disputing women’s aims to be involved in the political and public sphere through an educated presence, they were seen to lack womanly virtue. These women were critiqued for ignoring their duties as daughters, wives and mothers, and often played on the idea of the subordinate husband, forced to take up the role of the woman of the house. We can see this in the theme of neglect that is apparent in both prints. In the 1848 French satire ‘Women leaving their husbands to look after children while they go to their club’, the print captures the emerging salon culture and female literary spaces that were seen to distract women from their duties. A wife, holding a text on a discourse of women is in conversation with her husband. She instructs ‘Take care of the pot to the fire and my daughter to bed early. If she screams, give her to suckle… With what, missus? With the bottle, you idiot!’. In confronting and challenging their expected duties, the representations offers an insight into the subversion of traditional roles that was becoming more apparent in the nineteenth century.